glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...
glaceions:
““ Favourite People: Karl Urban (07.06.72)
“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of...

glaceions:

Favourite People: Karl Urban (07.06.72)

“There’s only so much you can do until you get on set and see the aesthetics of what you’re dealing with. Then you see what the other players are giving to you. It’s all about the transfer of energy between different actors.”

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